Speaking to Riedel Communications’ Rental Director, Marc Schneider, it is not difficult to see how a company that formed 20 years ago with a stock base that comprised just four radios, has grown to become one of the world’s leading providers of digital intercom systems at sports events as varied as the football World Cup and the Asian Games

Riedel Communications is both a manufacturer of digital intercom and a rental supplier, and Marc Schneider believes it is that sort of knowledge base and flexibility that has seen the firm entrusted to undertake the industry’s largest logisitical projects, as a supplier for fixed installations in stadiums, and as a source for intercom and PMR (professional mobile radio) provision for temporary needs.
“Coming from very simple beginnings has helped us as a company as it ensures we have always been on the pulse of the new technologies in the market, rather than having to compete with those already established,” he tells Football Business.
“As time has progressed we have changed from wired to wireless, copper to fibre, and the technology just keeps on evolving, as does the scale of this operation, to the extent that we now have over 20,000 radios, 1,000 party-line beltpacks and more than 100 Artist matrix intercom systems, and are regularly serving such major events as football and the Olympics.
“Communications these days is more critical than ever, meaning that the length of our commitment to clubs often goes way beyond the simple logistics of a couple of hours on matchday.”
Certainly a company of even Riedel’s size found their resources put to the test when they were awarded communications right at international sports events such as the FIFA World Cup and the Olympics, presenting a challenge of providing largescale equipment and complex logistics combined with very detailed planning. And it is that detail that ultimately determines the success of those in a market where a successful operation is very often conspicuous by its absence.
“In a sense, we are like the football referee,” Schneider continues. “If you haven’t noticed him during the course of the game, the chances are he has done a very good job! We would rather people are not led to even consider the massive operation that goes on behind the scenes, because if they are not aware of it and they take everything in front of them almost for granted, then we have achieved through the quiet and ruthless efficiency that is the marker to our business.”
In Germany at the FIFAWorld Cup last year, Riedel was responsible for the digital TETRA radio networks and communications at all venues, encompassing all live action as well as the opening and closing ceremonies.
In 2006, each of the twelve World Cup venues housed an Artist 64 matrix intercom system, while the new principles trialled included unique circuits that could enable representatives from FIFA to liaise with each other whether they were based at FIFA HQ, in Berlin, or maybe the Allainz Arena in Munich, empowering each other with routes along which they could pass on and distribute time-sensitive knowledge that might prove useful to each other’s respective locations.
While the World Cup was the company’s biggest project undertaking thus far, the scale and variety of the Olympic Games in Athens back in 2004 necessitated a full year of planning and preparation, with an end use of over 125 miles of cable and filter, with the company’s performance relied upon by a host of the world’s biggest broadcasting stations including ARD und ZDF (Germany), BBC (UK), TVE (Spain) and NBC (USA).